Indeed, it predated his rise entirely. Director/co-writer Xavier Durriger had always intended his film to be a general summary on how our Internet/24-hour-news network-besotted global village has turned politicians into celebrities. When Sarkozy rather unexpectedly became the far-right head of a famously chill nation, the project simply adopted him as its poster child.
Starting in 1949 Havana, the story plows through several decades in the lives of its titular heroes, respectively the country’s “hottest piano player” and a prostitute with not only a heart of gold but also a pair of pipes. Her sexy-breathy act leads her to fortunes in New York and Hollywood, while Chico contends with more modest work, including touring Europe with Dizzy Gillespie. Our central pair try to stay together, but the vagaries of history and film plotting more often keep them apart.
It’s that time of year again, so here’s the latest in what seems to be a booming subgenre of medium-budget Denzel Washington programmers, during which the heroically indifferent superstar schools an up-and-coming actor on the real meaning of star wattage while sleepwalking his way through genre kicks so tired nobody can be bothered to pay much attention.
Turns out Mickey has motivation: He’s in the midst of a nasty separation and pending divorce from his wife that is draining his funds. The discovery that new, batty client Gorvy (Alan Arkin) owns an antique violin worth a bundle drives him to the kind of crime that should be simple, but which instead yields complications.
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