By Chris Parker
No matter how expensive the tools on your workbench, it doesn’t make you a mechanic. By the same token, the Watson Twins and Duncan Sheik may be talented musicians but they’re hardly artists. Both have displayed a load of promise without ever elevating their craft.
By Chris Parker
Call it 30 Seconds Seems Forever since that’s the listening experience. It’s Barney for rockers—the most sentimental, formulaic overproduced crap since Bennifer made Gigli.
By Andrew Rooney
Why, I often ask myself, do today’s youth prefer such hyper music? After my two minutes of work each week, I prefer a Bach violin concerto. Given the warp-speed pace of postmodern living, you’d expect our overstimulated youngsters to seek solace in more contemplative entertainment. The fact that Dan Deacon is constantly referred to as a “Wham City weirdo” is enough to keep me away from tonight’s concert.
By Chris Parker
Indie kids harbor this delusion that their shit don’t stink, but champion as many steaming loafs as punks and hard rockers.
Mark Lanegan & Duke Garwood Black Pudding (Ipecac) Sounds like: The nearly 50-year-old Screaming Trees founder teams with a master composer/producer for darkly beautiful and haunting Americana. Free association: His dusty sadness is a perfect match for Garwood’s ambient score. For fans of: Quiet Dinosaur Jr. x Nick Cave, Damien Jurado/Seattle grunge, Waits. Eve Lip Lock (From the Rib/Sony/RED) Sounds like: The Philly native’s [...]
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