No matter how expensive the tools on your workbench, it doesn’t make you a mechanic. By the same token, the Watson Twins and Duncan Sheik may be talented musicians but they’re hardly artists. Both have displayed a load of promise without ever elevating their craft.
Call it 30 Seconds Seems Forever since that’s the listening experience. It’s Barney for rockers—the most sentimental, formulaic overproduced crap since Bennifer made Gigli.
Why, I often ask myself, do today’s youth prefer such hyper music? After my two minutes of work each week, I prefer a Bach violin concerto. Given the warp-speed pace of postmodern living, you’d expect our overstimulated youngsters to seek solace in more contemplative entertainment. The fact that Dan Deacon is constantly referred to as a “Wham City weirdo” is enough to keep me away from tonight’s concert.
Indie kids harbor this delusion that their shit don’t stink, but champion as many steaming loafs as punks and hard rockers.
In what’s turned out to be one of the most exciting revelations of 2014, female alt-country’s love affair with dark and heavy rock has morphed into a seemingly triumphant genre, pulling together some of the freshest talent in the game. Jessica Lea Mayfield rounds out a very fine trilogy of young women who have all [...]