Philadelphia Weekly

Philly's art world is buzzing as young artists and curators take things into their own hands, creating shows at FLUXSpace, Little Berlin, My House and elsewhere. The shows may be a little jagged and experimental, but that's partly the point. There's great promise in the youthful explorations and enthusiasm.

And because the art world loves to party for a good cause, the week-long art auction benefit Heart Works is the ticket this season. The art, music and performance events will raise funds for the Mazzoni Center, a local health agency serving the LGBT community.

Something about eyeballs is in the air as Timothy Belknap curates "Extra-Virgin" at FLUXSpace--a show with video, sculpture and ephemeral soap-foam sculptures. The show's high- concept premise is that art is "pure" until viewers sully it with their less-than-pristine interpretations (critics being serial abusers). Go set eyes on Christopher Davison's soft sculptures (never seen before locally), Mike Stifel's soap-bubble carvings and other works.

"Given Enough Eyeballs" at Klein Gallery takes the opposite view. The show's title refers to an oft-quoted phrase about open-source software and the fact that if enough eyes and minds approach a problem, someone will come up with a solution. "Eyeballs" includes video, audio and sculpture. Also looking very interesting is Ramsey Arnaoot's digital audio visual works and Joseph DiGiuseppe's interactive project. Yoshi Sodeoka's video mashup of the Beatles' Let It Be and the Stones' Let It Bleed will have fans of both bands squirming.

My House Gallery brings "The Big Draw" to life as 12 artists sequester themselves with chalk and a roll of brown paper in a South Philly row house for a 24-hour collaborative drawing marathon. The drawing--on a theme suggested by curator Alex Gartelmann--will be shown the following weekend at My House.

So how do 12 artists including Fernando Ramos, Jenny Kanzler and Andrew Brehm work together on one drawing? Come see for yourself. The house will be open to visitors. Gartelmann, who won't be drawing on the piece, says he'll be cooking for the crew. "If it's cohesive at the end, that's fantastic," he says, adding that the experiment itself is worth the effort.

"These Ghosts That Haunt Us," opening at Little Berlin on Friday, is a psychological excavation by artists Tyler Kline and Mike McGovern. Murals, sculptural outcroppings and photographs look at tragedy and mistakes, and mythologize them as hallowed or sacred. Music at the opening will be provided by Ghosts and Shapes. Following that, a show by celebrated Philadelphia painter and sculptor Leroy Johnson opens at Little Berlin in late April.

Youngish gallerists Jenny Jaskey and Bridgette Mayer are in a different zone from the DIY alternative spacers, but they both keep pushing boundaries. Jaskey, whose Tower Gallery is a year old, has two intriguing offerings: "Keary Rosen: M-Class Planet," a sci-fi-infused installation with kinetic parts, video, photography and drawings opening March 28; and "The Drawing Narrative," a group show of narrative works with local luminary Rob Matthews and international drawing phenom Robyn O'Neill, opening May 8. The latter show comes with a catalog of short stories.